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Moonlight, the Sea Body, and the Color Blue by Macarena Gómez-Barris

In director Berry Jenkin’s new film Moonlight (2016), the intimate view on Black queerness astonishes. While the film is a painful coming of age story, it is also a lively rendition of alternative frameworks of embodiment where the powerful ocean, or sea body, is omnipresent and rendered as a space of longing, transgenerational memory, migration, […]