The Artist Is Object – Marina Abramovic at MOMA

For me, Marina Abramovicz’s work falls into a category of thought, performance and art that I call “shadow feminism.” In this genre, we find no “feminist subject” but only un-subjects who cannot speak, who refuse to speak; subjects who unravel, who refuse to cohere; subjects who refuse “being” where being has already been defined in terms of a self-activating, self-knowing, liberal subject.